Posted in GSU photo archive, History, Undogegorized by chamblee54 on September 28, 2022








This is a repost from 2020. The 1619 Project was published by the New York Times in August, 2019. It was a grand historic project, marking the 400th anniversary of the first African slaves to arrive in Virginia. Claims were made. “The 1619 project is a major initiative from The New York Times observing the 400th anniversary of the beginning of American slavery. It aims to reframe the country’s history, understanding 1619 as our true founding …

Many of the claims were controversial. A few days ago, without any explanation, the Times deleted many of the “true founding” comments. Not surprisingly, many people noticed the difference. Cached copies have a way of contradicting convenient revisionism.

Full Disclosure: I have not read The 1619 Project. My reading bandwidth is limited. I cannot comment on the narrative presented in the project, and assume that much of it is true. What is fascinating about #1619Gate is the spectacle of the mighty New York Times humbling itself. There is also the bizarre behavior of @nhannahjones, the lady behind The 1619 Project

This tweet landed on my timeline earlier this week. @nhannahjones “There is a difference between being politically black and being racially black. I am not defending anyone, but we all know this and should stop pretending that we don’t”
@kelsey_midd “What does this mean?”
@nhannahjones “If you don’t know it ain’t for you.”
@kelsey_midd “I’m not the only person that asked. I’m also a black person.”
@nhannahjones “Yes, I am capable of seeing your avatar. And I will repeat: if you don’t understand the difference between being born/designated a certain race and taking up a particular set of racial politics, I am not going to educate you here.

@chamblee54 The lady does not suffer from false modesty @nhannahjones “Reporter @nytmag covering race from 1619-present//AKA The Beyoncé of Journalism//Co-founder ida b wells society //smart and thuggish//Aries//1619Project.” After a while, “The Beyoncé of Journalism” was looking more like the Kellyanne Conway of historic scholarship.

Before getting to the last segment of this show, we should mention what happened earlier sunday night. I am part of a poetry community, which is now meeting on zoom. This group is welcoming, and supportive of my work. Unfortunately, they welcome some less appealing players. Last night, one man had a poem about abolishing the police. There was a line. The only time colonizing white people like the police is when they need to have a (racial slur) exterminated. (That is not an exact quote.) I cut the sound off, and waited for the piece to be over.

The boundless folly of woke twitter awaited me. I soon came across the following exchange. I have a screen shot of the punch line, in case it is deleted. The tacky poet fell into context.

@sullydish “Basic rule in online journalism: if you change something after publication, acknowledge and explain it. On 1619 Project, NYT just broke this basic *ethical* rule. And to further the cover up @nhannahjones deleted all tweet history. Let that sink in.”
@nhannahjones “This is the last thing I will say about this. The wording in question never appeared in the 1619 Project text. It appears nowhere in the printed copy, something easily verifiable as pointed out to you. It didn’t appear in my essay nor any of the actual journalism we produced.”
@ira_mckey “It may be the last thing you say about it, but the Twitter screenshots and the history of what you said about it Still exist.” (Includes photo of NHJ tweet: @nhannahjones “I argue that 1619 is our true founding. Also, look at the banner pic in my profile.”)
@nhannahjones “This is my tweet. My tweets are not official 1619 copy.”
Pictures today are from “The Special Collections and Archives, Georgia State University Library”. More episodes of the #1619Gate series are available. Two Three Four Five







O'Neal 005x

O'Neal 005xa

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