Deconstruction Poems
Deconstruction poems were originally known as blackout poems. Hard copy was used as a base, with words eliminated with magic markers. (“Let the phrases find you.”)
PG shifted to a digital format immediately. (one two three) People realized that “blackout” might not be appreciated by everyone. PG has heard the phrase deconstruction for a while, and does not know what it means. The phrases that find you are known as the Surviving Words. Sometimes these will known as selected words. Words that do not survive are known as Background Words.
The process described today uses GIMP. This is an open source image manipulation program. GIMP is available for free download, unlike better known programs. The process discussed here can probably be facilitated in other programs. PG works on a desktop PC. If you use a Mac, or a phone, you can figure this out as best you can.
This video shows how to make a deconstruction poem in seven steps.
Step One Chose the text that you will use
Open the Rectangle Select tool (R, Tools Menu)
Draw a rectangle around the text you want to use. Height should be five. or six, lines.
Width should be twice the Height.
Choose Crop to Selection (Image Menu)
Choose Scale Image… (Image Menu)
Enter 720 in the Width field. Click on the chain link, to the right of the Width field.
It should break open. Enter 380 in the Height field.
Step Two Choose the Surviving Words
Open the Rectangle Select tool (R, Tools Menu)
Draw a rectangle around one word on each line.
After the first word, hold down the Shift Key, while using Rectangle Select.
Using the Shift Key will add to the selection.
If you want to de-select a word, hold down the Control Key, while using Rectangle Select.
Select at least one word on the left edge of the image, and at least one on the right edge.
Step Three Make surviving words darker
Open Levels… (Colors Menu) Enter 128 in the Input Levels field.
This will make the Surviving Words darker.
Step Four Invert the selection
Choose Invert (Select Menu)
Step Five Blur the Background Words.
Select Blur → Gaussian Blur… (Filters Menu) Type 22 in the Size X field. Click OK.
Step Six Check poem for mistakes
When there is a mistake, hit Undo (Ctrl + Z)
Hit Undo until the Surviving Words are the original tone.
Open the Rectangle Select tool (R, Tools Menu)
To de-select a word, hold the Control Key, while using Rectangle Select.
To select a word, hold the Shift Key, while using Rectangle Select.
When you are through, repeat steps Three, Four, and Five.
Step Seven Export the image
When you are happy with the poem, export the image.
Choose Export As… (File Menu)
Give the poem a name, and click Export.
Q – Why are the poems scaled at 720×380 (pixels)?
A – These are the best dimensions for Twitter, on a PC. If the poem is taller than 380 pixels, Twitter will cut off part of the image. When posting for Instagram, the best dimensions are 720×720. Instagram is for squares.
Q – Are there any easier ways to access these tools?
A – GIMP allows the user to assign Keyboard Shortcuts (Edit Menu). If you look in the Menus, it will show keyboard shortcuts. You can also access Rectangle Select from the Toolbox (Ctrl+b).
Q – Are there any other ways to blur the Background Words?
A – Yes. Gaussian Blur was used today for simplicity. If you go in the Filters Menu, you will find thousands of ways to blur the Background Words. Artistic→GIMPressionist… is a popular option.
Q – Can I make the blurred Background Words lighter?
A – Yes. This is recommended for many blur options.
Open Levels… (Colors Menu)
Enter 128 in the Output Levels field.
This will make the Background Words lighter.
If 128 is not light enough, enter a higher number. The higher the number, the lighter the image.
Q – Where do you get the original source material?
A – Facebook and Twitter are options, as well as Screen Shots.
In Facebook/Twitter, click on the image. When the image appears by itself, right click on the image. Choose Save Image As…
That about does it. There are probably some details left out. Just make some Deconstruction Poems of your own. The beauty of DP is that you can usually knock one out in a few minutes. Sometimes, in a contentious/tedious facebook quarrel, you can drop a gnomic DP in the comments, and confuse everybody. Have fun, and don’t spill your beverage.
Happy Birthday Mr. Ginsberg
Allen Ginsberg would be 95, if nature had not made other plans in 1997. The son of Louis and Naomi Ginsberg arrived, in Newark NJ, June 3,1926.
Hippie, beatnik, gay, artist, peace promoter, Buddhist convert…these are a few of the labels. He became famous for being famous, well known to people who never read a word of his poems. Two of the more famous were howl and kaddish.
Howl became scandalous in 1956 when it was busted for obscenity. It is mild by today’s standards, but almost landed Mr. Ginsberg in prison. PG heard about howl in the early nineties, and looked high and low for a copy. He could not find one. Today, not only is the text widely available, there are recordings of Mr. Ginsberg reading his work. (Here is an updated version: howl 2011.)
1956 was the year of the obscenity trial for howl. This took place on the other side of America from Brookhaven, where PG was two years old. This was the year when the Georgia legislature voted in a new flag, for whatever reason. In 1955, President Eisenhower had a heart attack. Many wondered if it was a good idea to have Richard Nixon as the vice president.
The original plan was to listen to Mr. Ginsberg read, while editing photos. PG was going to listen to the words, and think of something to say while listening to the bard. About the seventeenth time Mr. Ginsberg shouted “Moloch”, the plan began to fall apart.
The player was turned off, the files stored on an external hard drive, never to be heard again. PG just is not a poetry person. This is a repost, with pictures from “The Special Collections and Archives, Georgia State University Library”.
I Sing The Body Electric
1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.
Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul?
And if the body were not the soul, what is the soul?
2
The love of the body of man or woman balks account,
the body itself balks account,
That of the male is perfect, and that of the female is perfect.
The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist and knees,
dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.
The sprawl and fulness of babes, the bosoms and heads of women,
the folds of their dress, their style as we pass in the street,
the contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
the transparent green-shine, or lies with his face up and rolls
silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats,
the horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open dinner-kettles,
and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six horses
through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, lusty,
good-natured, native-born, out on the vacant lot at sundown after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine muscle
through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes suddenly again,
and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d neck
and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s breast
with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line
with the firemen, and pause, listen, count.
3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.
This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and beard,
the immeasurable meaning of his black eyes,
the richness and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were massive,
clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal love,
He drank water only, the blood show’d like scarlet
through the clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself,
he had a fine one presented to him by a ship-joiner,
he had fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
you would pick him out as the most beautiful and vigorous of the gang,
You would wish long and long to be with him, you would wish to sit by him
in the boat that you and he might touch each other.
4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly
round his or her neck for a moment, what is this then?
I do not ask any more delight, I swim in it as in a sea.
There is something in staying close to men and women and looking on them,
and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.
5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth,
and what was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it,
the response likewise ungovernable,
Hair, bosom, hips, bend of legs, negligent falling hands all diffused,
mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of love,
white-blow and delirious juice,
Bridegroom night of love working surely and softly into the prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.
This the nucleus—after the child is born of woman, man is born of woman,
This the bath of birth, this the merge of small and large, and the outlet again.
Be not ashamed women, your privilege encloses the rest,
and is the exit of the rest,
You are the gates of the body, and you are the gates of the soul.
The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as daughters.
As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.
6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is utmost
become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing
to the test of himself,
Whatever the survey, whatever the sea and the sail
he strikes soundings at last only here,
(Where else does he strike soundings except here?)
The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as much as you,
Each has his or her place in the procession.
(All is a procession,
The universe is a procession with measured and perfect motion.)
Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight,
and he or she has no right to a sight?
Do you think matter has cohered together from its diffuse float,
and the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?
7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.
Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.
In this head the all-baffling brain,
In it and below it the makings of heroes.
Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby,
good-sized arms and legs,
And wonders within there yet.
Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings, aspirations,
(Do you think they are not there because they are not express’d
in parlors and lecture-rooms?)
This is not only one man, this the father of those who shall be fathers
in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.
How do you know who shall come from the offspring of his offspring
through the centuries?
(Who might you find you have come from yourself,
if you could trace back through the centuries?)
8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.
Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations
and times all over the earth?
If anything is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
than the most beautiful face.
Have you seen the fool that corrupted his own live body?
or the fool that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.
9
O my body! I dare not desert the likes of you in other men and women,
nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the soul,
(and that they are the soul,)
I believe the likes of you shall stand or fall with my poems,
and that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s, father’s,
young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking
or sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders,
and the ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round,
man-balls, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, nipples, breast-milk, tears, laughter, weeping,
love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand
the naked meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips,
and thence downward toward the knees,
The thin red jellies within you or within me, the bones and the marrow
in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of the soul,
O I say now these are the soul!
Text for this adventure is from the Project Gutenberg.
The text was reformatted by Chamblee54.
“I sing the Body Electric” was written by Walt Whitman.
An audio version of this poem is available from Librivox.
Pictures from The Library of Congress.
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