Chamblee54

Migrant Mother

Posted in History, Library of Congress by chamblee54 on October 19, 2018









It is perhaps the most famous photograph from the depression. . The semi official title is Migrant Mother. The Library of Congress says “Destitute pea pickers in California. Mother of seven children. Age thirty-two. Nipomo, California.” The exact date is unknown, and was either February or March of 1936. The photographer was Dorothea Lange (pronounced dore-THEE-ah lang). The model was Florence Owens Thompson .

Ms. Lange was born Dorothea Margaretta Nutzhorn May 26, 1895 in Hoboken, N.J. When she was seven she had polio, and when she was twelve her father left. Both events affected her deeply. (Lange is her mother’s maiden name, chosen for use after the father left.) She became a photographer, and had a successful studio in San Francisco. By 1936 she was with her second husband, her sons were in boarding school, and she went to work for the Farm Security Administration.

The Farm Security Administration hired a number of photographers to document the lives of Americans between 1934 and 1944. (During part of this time, it was connected to the Office of War Information, and the Resettlement Administration.) Since they were working for the government, the photographers were not entitled to copyright protection. The majority of these pictures are in the public domain, including the famous pictures of Florence Thompson.

This feature started with a google search for the correct way to pronounce Dorothea Lange. (Readers of this blog have seen the fondness for Library of Congress historic pictures. Ms. Lange is one of their stars.) This search led to a teacher’s guide from Yale University. This guide is about Dorothea Lange and the Migrant Mother. It tells the story as well as PG could. Bless his pea picking heart.

The day that Dorothea Lange photographed what would become her most famous photograph, Migrant Mother, has been retold by Lange in numerous sources. She was on her way home from a trip documenting the living and working conditions of the migrants to California. She followed their schedules, getting up at sunup and working until sundown, which made for long, sixteen-hour days. She was tired, and she was ready to see her family.

With about seven hours of driving left ahead of her, she passed a homemade sign that said Pea Pickers’ Camp. She knew that a late frost had ruined the pea crop, and was concerned about the people who might be at the camp. It nagged at her to turn around, to go back and visit the camp, another opportunity to document. About 15 minutes (20 miles) later, Lange did turn around.

Right away she saw the woman who would be the subject of Migrant Mother. Some sources say she took 5 shots, but she really took 6; in any case each shot focuses in on the woman a little more, and the final shot is the one that would become the “timeless and universal symbol of suffering in the face of adversity “
(The Library of Congress only has five of the shots.)
Early the morning after she got home, instead of spending time with her family Lange rushed to develop the photographs and submit them to the FSA and The San Francisco News. She thought that these photographs could help bring attention to the plight of these American migrant farmers. She was right; the story was printed in newspapers around the country, and the federal government immediately sent 20,000 pounds of food….
(The Thompson family had left for Watsonville by the time the food arrived)
The Dust Bowl refugees were of European descent, and were migrating to California because they were displaced from their farmland by drought. Florence Owens Thompson, though from Oklahoma, was a full-blooded Native American, and her family had been displaced from tribal lands by the U.S. government. (By 1930, Native Americans had lost more than 80% of their lands this way).

The day Lange photographed Thompson, she and her family were driving towards Watsonville, hoping to pick lettuce in the Pajaro Valley. The timing chain on their car broke just outside Nipomo, and so they pulled into the pea -pickers camp to fix it. While fixing the chain, the radiator was punctured; Thompson’s two boys (and likely her male companion)
(Wikipedia says it was husband Jim Hill) brought the radiator into town to be fixed. While they were gone, Lange arrived…
The choices Lange made in terms of shooting the scene are very telling in light of our discussion about documentary photography. Most strikingly, the woman’s teenaged daughter is purposefully excluded from the photograph. She appears in the first two photographs of the series, but Lange thought that including her would cause the viewer to speculate about how old the mother was when she began having children (Curtis p. 55). At the time, the ideal family contained no more than three children; this woman’s family of seven could have detracted from the matter at hand, and maybe caused people to feel less sympathetic towards her (Curtis p. 52).

In the third shot, all you see is the mother nursing her youngest child. Migrant Mother is often referred to as Migrant Madonna… Lange thought that her subject looked too anxious and uncomfortable with the camera, as Lange seemed to have triggered in her what she called “that self-protective thing” (Curtis p. 57). So, despite being uncomfortable with how unpredictable children were to photograph, to calm the mother she added one of the children back into the frame for the fourth shot. She had the child rest her chin on her mother’s shoulder, which, though somewhat unnatural, served the purpose of anchoring the child still. She was also asked to remove her hat, which would have obscured her facial features. This resulted in a good photograph. Lange “thought she could do better.”

The fifth shot was the same, but from a different angle, which illuminates an empty pie tin, heavily symbolic of the hunger the family was facing. It also highlighted a warm and loving relationship between mother and child, as the child is leaning lovingly on the mother’s shoulder, which is comforting to the child.

For the sixth and final shot,
(the one which became famous) Lange brought another child in, but she had both children face away from the camera, so that her shot would not be jeopardized by their unpredictability, and they would serve as a loving frame for the mother. Lange asked the mother to bring her right hand up to her face, and that resulted in exactly what Lange wanted and knew was there (Curtis p. 65). It softened her anxiety about the camera into a mother’s concern for the welfare of her family. The mother was worried about letting her sleeping child slip, so in the original sixth shot you could see her thumb grasped around the pole for support. In her excitement Lange did not see it. She eventually altered the original photonegative because she “did not want a small detail to mar the accomplishment (of overcoming her subject’s defensiveness) (Curtis p. 67).”
In this feature, the second image from the session is missing. The pictures in this feature are as follows. 1- The famous picture, cropped. 2- The first shot from the session. 3- A detail from the first shot. 4- The Migrant Madonna. 5- Child on the shoulder. 6- Child on the shoulder #2. 7. The full length famous picture. 8- A portrait of Dorothea Lange. 9- Another photograph by Ms. Lange, taken on the California-Arizona border in the summer of 1936. 10- The information from the famous picture. 11- The famous picture with the thumb included.

2012 Repost Notes This was on a list of posts that could be repeated. Of course, there are usually improvements to be made. Youtube was searched, and some videos were found. One of them mispronounces Dorothea. A search for the correct pronunciation of that first name was how this post got started in 2010.

Looking at the pictures reveals a glitch in the famous picture. If you look in the part of her hair, you will see a gray stripe. This is a bit of damage to the negative, and is common to old photographs. Ordinarily, PG would paste over a spot like that, but this is a sacred photograph.

The files of the LOC were consulted, and a 115mg original was downloaded. The grey stripe was still in the part, which is where it will stay. The original has the thumb, which was taken out of the famous prints. It is included in this post, along with the information typed into the side.

A look at some of the other pictures taken that day show a grey spot in the part. Maybe it wasn’t a photo glitch. Raising seven children can give any woman a few gray hairs.

Another question is about Florence Thompson, the “Migrant Mother”. It was noted that she was a Native American. PG has decided that the expression “Native American” is the invention of European Import Americans, and is only marginally less offensive than Indian. There are hundreds of tribes in the Americas. A person is a member of a tribal nation. What tribe was Florence Thompson?

Mr. Google points us to this answer.
“Thompson, a “full-blooded” Cherokee, was born Florence Leona Christie on September 1, 1903, on the Cherokee Nation in Oklahoma. Her father, Jackson Christie, was an ex-convict who had abandoned the family before her birth. Her mother,Mary Jane Cobb, married Charles Akman, a Choctaw, in 1905, with whom she raised Thompson near Tahlequah OK”
This is a repost. Pictures are from The Library of Congress.





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Whiteness On YouTube

Posted in Library of Congress, Race, Undogegorized by chamblee54 on October 18, 2018



What would happen if you were to type *whiteness* into the youtube search engine? PG hears a lot of talk about whiteness. Almost none of it is positive. Maybe an education is needed. A couple of comments before we start. (1) Only videos lasting less than ten minutes will be considered. Panel discussions lasting seven hours are too much work. (2) While listening to videos without a transcript, it is easy to misunderstand what people say. What is reported here is a good faith representation. (3) There is a lot of talk about whiteness on youtube. Most of it is either boring, or annoying. This feature will try to weed those out. If you want to see more, you are encouraged to type whiteness in the youtube search engine. Pack a lunch.

Franny Choi – Whiteness Walks into a Bar A young lady, of Asian descent, reads from a phone. The poem takes “walks into a bar”, and turns the preacher, priest, and rabbi into whiteness. “whiteness walks into a bar with a golden retriever, the golden retriever promptly takes a (shit) on the floor, the bartender’s like what the, whiteness says whoa-oh-oh-oh, tone, meanwhile the dog is started to run, as the shit’s spraying wet feces everywhere, and whiteness is like, you know if you want me to respect you and your cause you could try being a little less confrontational”

The Expanding Definition of Whiteness This is boring. A black lady talks about how Irish and Italian people were not considered white, until they were. She then moves on to Jews. At 3:23, something “took away the racial taint from Jewishness.” What does the perineum have to do with Jewish whiteness? This performance is neither educational or entertaining.

THE HISTORY OF WHITENESS Kat Blaque is a piece of work. She once went off on PG, who said he did not like the sound of cis-. In this show, Miss Blaque discusses history. She begins by saying that Spanish slave traders invented something called “scientific racism.” This was in the 17th century. The term racism was not used before 1933 In this history based talk, a lot of *facts* are thrown out, in rapid succession and high volume, with a few links for documentation. It is tough to say how much of this chatter is true. What is easy to say is that Miss Blaque does not say what whiteness is, except a system of laws and cultural norms that benefit white people. Whiteness has an elastic definition. It means whatever the speaker wants it to mean.

Everything Wrong With “Whiteness” is a catchy title. Edwins Generation read an article, The Video of the Man Saving the Rabbit From the Fire Captures Everything Wrong With Whiteness in 30 Seconds. EG wondered if the article was satire. Gizmodo websites are often confused for satire. The article is about a man saving a rabbit from a forest fire. “maybe the whitest thing I’ve ever seen.” The battle cry to Examine Your Whiteness just got more complicated.

Jon Hamm ‘White Thoughts’ This is a mock infomercial for a product called “White Be Gone.” WBG will eliminate whiteness from your lifestyle. Is this over the top (under the bottom) white self loathing, or is it a satire? After a while, is it worth worrying about? A response video, How to fight “Whiteness,” takes WBG seriously for 45 minutes.

At 4:23 in “White Thoughts”, a black choir sings behind the talent. Mr. Hamm says that whiteness leads you to wear sheets, and burn crosses. A picture is shown, of a white pride after party in Coweta County, GA. A white peoples march had been planned, and fizzled. A few of the whitebois went to a field, and burned a swastika. The “participation trophy” rally is the picture shown at 4:23.

STEPS TO HEAL YOUR TOXIC WHITENESS is another fake commercial. It refers to a program at Everyday Feminism, Healing From Toxic Whiteness. – 10-Week Program “Learn how to free yourself from toxic whiteness to begin developing an anti-racist white identity. Price $297.” The EF program is promoted by VICE. Want to Heal Yourself from ‘Toxic Whiteness’? This Class Can Help “The people behind the self-help/intersectional feminism publication Everyday Feminism are offering a course that aims to educate people of privilege so “individual people of color don’t have to.”

‘It’s Impossible to Imagine Trump Without the Force of Whiteness’ It is inevitable that we would talk about Donald Trump today. In this video, Ta-Nehisi Coates talks. “…endorse someone who had only whiteness to offer.” PG had to listen to that gem three times, to make sure he got it right. So, all that Donald Trump has to offer is whiteness? Really? Is it the quality of DJT whiteness, or the quantity? After all, most of the other candidates were white. Mr. Trump “ran on whiteness as his sole attribute.” This video is released along with an article, The First White President. The article has lots of zesty quotes about DJT, and whiteness.

The Fire This Time: Claudia Rankine on Whiteness as a Brand This post started out as a good idea, but got boring fast. Thank you for reading to the end. What better way to end this than with Claudia Rankine, whose work is being discussed on this blog. “One of the things that we don’t say explicitly is that whiteness is a brand.” Pictures today are from The Library of Congress.

Citizen: An American Lyric Part Two

Posted in Library of Congress, Race, The English Language, Undogegorized by chamblee54 on October 17, 2018


This is the part two in the chamblee54 look at Citizen: An American Lyric. There was little reaction to part one. The rest of the series will be aided and abetted by a pdf edition. PG might even fashion a mashup poem out of the text, to supplement these prose posts.

The pdf has a problem. For some reason, everything is fit into a narrow window. The result is going to be a lot of scrolling. Right now, PG is starting section IV. This is page 59 on the dead tree edition, and page 147 on the pdf. One solution is to copy the file into a word document, and move the text into a more agreeable format. PG can read the text while he is reformatting it.

PG questions the wisdom of tackling this project. We are talking about this author: Claudia Rankine: why I’m spending $625,000 to study whiteness. In a BBC radio show Dr. Rankine asks people if they think about whiteness when they become a blonde. This is not a blonde joke.

Whiteness is a mysterious concept to PG. The subject seems to keep coming up. Whiteness is good for bloggers with whiter’s writer’s block. Chamblee 54 whines whenever whiteness worries wypippo whizzing by. Testing Whiteness And Privilege Stop Getting Racisted At Examine Your Whiteness Examine Your Whiteness Part Two Examine Your Whiteness Part Three In the last part of that trilogy, PG googled the phrase *examine your whiteness.* It comes down to hair. You have the horror movie frizz of Rachel Dolezal, or the soup bowl cut of Dylann Roof.

Study Whiteness was the title of a post at chamblee54. SW was the weekly notes for April 2, 2018. Usually, PG finds a catchy phrase in the text, and uses that for the title. There was an amusing factoid at the end of SW. “In 2016, 574 white people were killed by police, while 266 black people were killed by police. source In 2016, there were 6,576 white homicide victims, and 7,881 black homicide victims. source If you divide the first number by the second number, you get the percent of homicides by police. For white people, it is 8.72% For black people, it is 3.32%.”

Citizen: An American Lyric is supposed to be the focus of this piece. Today we will focus on IV and V. In IV, Dr. Rankine seems to be having a headache. She pulls the blinds down, and tries to escape from the world. A tennis match is on TV, with the sound cut off. For PG, that would be a football game. There is a mirror behind the computer monitor, which points to a TV on the other side of the room. The angry black woman is watching tennis, while the slack white blogger watches football. Tennis is supposed to be a white sport, while football is driven by blackness. Maybe people just enjoy what they enjoy, and the racial labels are only important when it fits your agenda.

Part V continues down the same path as IV. “You hold everything black. You give yourself back until nothing’s left but the dissolving blues of metaphor.” PG notices metaphor more and more. Is PG missing something? Metaphor is a literary gimmick for making comparisons. Except for definition 3 at The urban dictionary: “Metaphor – The word that Christians use to describe contradictions and mistakes in the bible.” Chad went out with a girl named simile. He doesn’t know what he metaphor.

“Hecatomb” is a poem by Mia S. Willis, a Java Monkey regular. She is talking about life in Florida. At several points in the story, the poet shouts “Ain’t that a metaphor?” Does metaphor have another meaning? PG has met many fours. Maybe whiteness will deliver PG from metaphoric fury, into apathetic analogy. It is a parable, or three units of bull?

After a few pages, V recalls two episodes of recreational microaggression. A man cuts in front of someone in a line. A man shows someone a picture of his wife. “She is, he says, beautiful and black, like you.” Soon, the voice is at home. “You lean against the sink, a glass of red wine in your hand and then another, thinking in the morning you will go to the gym…”

The last drink for PG was on December 31, 1988. In a few weeks, it will be thirty years. There is privilege in being able to make that move, and to stick with it. Some people want you to die, so they can laugh at your dead face. When you are in a fight, being fair is a luxury you cannot afford.

Pictures today are from The Library of Congress. Marion Post Wolcott, photographer “Watching a game at Fourth of July celebration, St. Helena Island, South Carolina” July 1939.

Terminated

Posted in Poem by chamblee54 on October 17, 2018

Oscar And Milo

Posted in History, Library of Congress, Undogegorized by chamblee54 on October 16, 2018

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Oscar Wilde was being cross examined by Edward Carson, the attorney for the Marquess of Queensberry. Mr. Wilde had filed a libel suit, because the Marquess said Mr. Wilde was a somodite. The Marquess was the father of Lord Alfred Douglas, the boyfriend of Mr. Wilde. The cross examination saw many witty comments by Mr. Wilde. It was going well, until it wasn’t.

C– Do you know Walter Grainger? W–Yes. C– How old is he? W– He was about sixteen when I knew him. He was a servant at a certain house in High Street, Oxford, where Lord Alfred Douglas had rooms. I have stayed there several times. Grainger waited at table. I never dined with him. If it is one’s duty to serve, it is one’s duty to serve; and if it is one’s pleasure to dine, it is one’s pleasure to dine. C– Did you ever kiss him? W– Oh, dear no. He was a peculiarly plain boy. He was, unfortunately, extremely ugly. I pitied him for it. C– Was that the reason why you did not kiss him? W– Oh, Mr. Carson, you are pertinently insolent.

Milo Yiannopoulos is no Oscar Wilde. There was no gasp in the courtroom when he made his comments about “Father Michael.” The interview went on youtube September 30, 2015, and has been waiting for its time. In an ironic touch, one of the ads preceding the three hour video starred Leslie Jones, or someone who looked like her.

Bill Maher said, before introducing Mr. Yiannopoulos, “Stop looking at the distractions and the clown show and look at what matters.” There was a panel discussion, with Milo and four other men. The distraction, and the clown show, made comments that seem ironic a few days later.

The discussion began with an audience question about a trans Berkley student. Mr. Maher said she, and Mr. Yiannopoulos said he, with the intention of misgendering the individual. “I make no apology from protecting women and children from men who are confused about their sexual identity.” Maybe Father Michael was confused. “I think that women, and girls, should be protected from having men who are confused about their sexual identities in their bathrooms.” Mr. Maher looked down at the desk, and said “that’s not unreasonable.” Less than a minute of the video had elapsed.

Larry Wilmore said “I think its sad, because the same arguments that we use against gay people, treating them like aliens who want to fuck anything that moves, and that we should avoid them at all costs.” Mr. Yiannopoulos tried to say something, and Mr. Wilmore asked to be allowed to finish his thought. …..”You can always find the extreme person that becomes the object of your attack, that you assign that to everybody.” Given the prevalence of people using paedophilia as an all purpose argument against gays, it seems like Mr. Yiannopoulos went sashaying into a trap. Just let the idiot speak long enough, and he will hang himself. Whether this will have any negative effect on the overall LGBT population is not known.

At 2:33, Mr. Yiannopoulos starts to talk fast, and amateur transcribers (cis-scriber?) might make mistakes. “Your saying that (unintelligible) the victim is some sort of discrimination… this is a psychiatric disorder.” Some might say that a 14 year old. fooling around with a priest, is a victim, and a psychiatric disorder. Mr. Yiannopoulos is an entertainer, and likes to make flippant comments.

In his libel suit, “Wilde did his best to turn the proceedings into a joke with flippant answers. Always the artist, he seemed to be reaching for creative, witty answers, even if they contradicted earlier ones.” One sees the same pattern of behavior in Milo Yiannopoulos.

At 5:39: Mr. Maher said to Mr. Yiannopoulos “This is the beginning of your career, people are just starting to hate you.” “I’ve got so many more years.” This was less than a week before a fox news headline, JUST IN: Milo Yiannopoulos Resigns From Breitbart News.

“You have the potential to morph. You remind me of a young, gay, alive Christopher Hitchens.” Or maybe just young and alive. As an obituary of Mr. Hitchens notes, ” He was almost expelled from school for homosexuality and later boasted that at Oxford he slept with two future (male) Tory cabinet ministers. … he eventually became a dedicated heterosexual because, he said, his looks deteriorated to the point where no man would have him.”

Malcolm Nance got into the act, with the comment “You’ll take Russian spies over Saudis. OK.” Our knowledge of the role of Russians played in the 2016 election is evolving. Much better known is the fact that of the 19 hijackers on 911, 15 were Saudi.

At 10:50, Mr. Nance, a former Intelligence officer, said “Wikileaks… is a laundromat for Russian Intelligence.” The troubles of Mr. Yiannopoulos were noted in a tweet from @JulianAssange “US ‘liberals’ today celebrate the censorship of right-wing UK provocateur Milo Yiannopoulos over teen sex quote.” Pictures today are from The Library of Congress. This is a repost.

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Oscar Wilde

Posted in History, Holidays, Library of Congress by chamblee54 on October 16, 2018

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October 16 is Oscar Wilde’s birthday. On that day in 1854, he appeared in Dublin, Ireland. He is one of the most widely quoted people in the english language. Some of those quotes are real. Since he was a published author, it should be easy to verify what he really said. This birthday celebration is a repost, with pictures from The Library of Congress.

One night in 1974, PG was talking to someone, and did not know who Oscar Wilde was. The conversational partner was horrified. PG became educated, and learned about a misunderstanding with the Marquess of Queensberry. Soon the “Avenge Oscar Wilde” signs made sense.

Mr. Wilde once made a speaking tour in the United States. One afternoon, in Washington D.C., the playwright met Walt Whitman. Thee and thou reportedly did the “Wilde thing”.

The tour then went to Georgia. A young black man had been hired as a valet for Mr. Wilde on this tour. On the train ride from Atlanta to Augusta, some people told Mr. Wilde that he could not ride in the same car as the valet. This was very confusing.

After his various legal difficulties, Oscar Wilde moved to Paris. He took ill, while staying in a tacky hotel. He looked up, and said “either that wallpaper goes, or I do”. Soon, Oscar Wilde passed away.

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In The Alleyway

Posted in Poem by chamblee54 on October 15, 2018

Only Half The Story

Posted in Library of Congress, Weekly Notes by chamblee54 on October 15, 2018


The 17 Kinds of Hyphens You Must… Wait, Seriously, 17? ~ voter purge list ~ Why “I’m not racist” is only half the story ~ I just came across this video and it seemed germane to this convo I listened to this monologue. I am not impressed. This monologue is challenged in its use of logic. I do not feel that it speaks to my experience. Let’s take a look at the first sentence of the notes. “If you’re not racist, why is racism still America’s biggest problem?” There is an assumption here: that racism is still America’s greatest problem. Looming environmental catastrophe, political corruption, unsustainable national debt, usustainable food supply chain… these, and a host of other problems, are arguably far more damaging than racism. Then there is the either/or dilemma… “If you’re not racist, why is…” Who is the lady speaking to? Who is the person who does not consider themself to be racist, and is thus responsible for racism being “America’s greatest problem.” After a while, I am going to put this video behind me, like I have so, so much talk about racism. On a lighter note, Mani Sheriar has a very powerful story on RISK. It addresses many of these issues, and is a good counterpoint to this story. ~ Why “I’m not racist” is only half the story | Robin DiAngelo ~ 3 chicago poets ~ Toddler, straight-A student fatally shot in separate incidents during bloody weekend in Chicago ~ The Mystery of Tariki ~ Gay Atlanta activist, pioneer Berl Boykin dies at 74 ~ An Interview with Atlanta Gay Rights Pioneer Berl Boykin ~ Vic Mensa Calls Out XXXTentacion Supporters, Rap’s Embrace Of Abusers ~ Sam Harris July 01, 2017 – Common Sense with Dan Carlin Show #293 ~ Amanda Seales Questions White Women Kneeling to Protest Rape Culture ~ Grateful Dead – The Acid Test Reels 1965-1967 ~ Squirrel vs snake ~ I Take Medication For Depression, Hair Loss, And Erectile Dysfunction, And There’s Nothing Shameful About That ~ Voting rights become a flashpoint in Georgia governor’s race ~ What happened to Jamal Khashoggi? The Saudis need to provide the U.S. with answers. ~ John Lennon on violence ~ Joe Rogan Experience #1184 – Roseanne Barr ~ watching the defectives ~ Rick Stein: A Man for All Seasons and My Kind of Guy ~ voter application ballot ~ The Myth of Systemic Racism (Coleman Hughes Pt. 2) ~ Officer-involved shooting shuts down busy Cobb County intersection ~ Mother accidentally smothers baby during fatal meth overdose, sheriff says ~ Man was randomly shooting inside apartment complex before officers killed him ~ Facebook: Hackers got (very) personal data from 29M users. FIND OUT if your info was breached. ~ What the Black Men Who Identify With Brett Kavanaugh Are Missing ~ How I Quit Drinking in a World That Wants Me Drunk ~ holocaust photo That claim about Iran is a bit misleading. Some Iranian leaders say that, although the translations may be questionable. It is not known how much the general population agrees. Right now, some American politicians are spoiling for a war with Iran. If this war happens, there will be a lot of men, women, and children killed in Iran. It is important that the world never forgets. Part of this is preventing the Persian holocaust that so many seem to want today. ~ Is Georgia’s minority population boom fueling political pushback from Republicans? ~ CNN’s Cuomo: Trump Looked Like He Was Thinking Racist Thoughts While Talking To Kanye West ~ Did you know Kanye West’s father was once an AJC photographer? ~ Suspect killed in Cobb County officer-involved shooting identified ~ mindful resistance 46 ~ Why Young Men of Color Are Joining White-Supremacist Groups ~ Man shoots, kills girlfriend in front of her 9-year-old son at apartment complex ~ why the gulch deal matters ~ What exactly do you mean by “affordable housing”? I hear that phrase a lot, but don’t know what the guidelines are. Another concern I have is who is going to live in this AH. It seems like the less expensive the housing, the people who live there will be less, and less, pleasant to be around. If you do choose to live in this mythical AH, will you want to be around your neighbors? ~ I just received another phone call from Lucy McBath. It pretended to be a survey, but was, in fact, a paid political message from Lucy McBath. ~ PLEASE VOTE NO ON AMENDMENT 2 in Georgia. It is a horrible proposal. It seeks to establish “business” courts with appointed, not elected, judges, and is designed to protect corporations from being sued by people they have injured. It is being pushed by Georgians for Lawsuit Reform, which is little more than a front for big business. Please forward this post. Most voters are unfamiliar with proposed constitutional amendments, and most, like this one, are worded in ways that hide their true intentions PLEASE FORWARD THIS.! ~ “Kemp’s office blamed that disparity on the New Georgia Project, a voter registration group founded by Abrams in 2013. Kemp accuses the organization of being sloppy in registering voters, and says they submitted inadequate forms for a batch of applicants that was predominantly black. His office has said the New Georgia Project used primarily paper forms and “did not adequately train canvassers to ensure legible, complete forms ….” Yes, that may be more bs from Mr. Kemp. It may also be the truth. It is entirely possible that the New Georgia Project submitted a bunch of registration forms with serious mistakes. We are getting to the point in this election where everything you hear is suspect. ~I got there a half hour early. I sat outside for 45 minutes, waiting for “someone to be with you” I only had to check out one wardrobe item. I took a bus from the base camp… an old warehouse on white street in west end, in front of the beltline … to the set. It was the West Hunter Street Baptist, formerly pastored by Ralph David Abernathy Sr. We were led into a room on the second floor. We sat in that room for four hours. There was a fan in that room, that was turned off during takes. Turning the fan off and on was the only thing to do for four hours. We went back to base camp for a fabulous lunch. We then went back to the church. After a while, our handler came to the room, and got a few of us to go to a site. We went to a side street off Lee Street, across from the west end marta station. We were set up as homeless people, while a car drove by. I was given a homeless person buggy, and told to walk by showing tremendous effort to walk by. However, I was not to be used in the first shot. They did a few takes of the car going down the street. The crew moved across the street. A decision was made not to use any background performers in the next shot. I was taken back to base camp, turned in my wardrobe shirt, my invoice was signed, and I went home. ~ pictures today are from The Library of Congress. ~ selah

Disturbance

Posted in Poem by chamblee54 on October 14, 2018

#RejectedStripClubNames Part Two

Posted in Poem by chamblee54 on October 13, 2018

#RejectedStripClubNames Part One

Posted in Poem by chamblee54 on October 12, 2018

Georgia Voter Registration

Posted in Library of Congress, Politics, Race, Undogegorized by chamblee54 on October 12, 2018


@LEBassett “1.Brian Kemp is running for GA gov against Stacey Abrams (a black woman) 2. Kemp is in charge of elections & voter registration 3. Kemp made a new “exact match” rule that is holding up 53,000 voter registrations…. NEARLY 70% OF THEM BLACK 4. THIS IS ALL I WANT TO TALK ABOUT” There is nothing like getting your news from twitter.

Voting rights become a flashpoint in Georgia governor’s race The story gets attention. Georgia is holding up 53k voter registrations. 70% of these registrations are black people, according to an undocumented AP story. These registrations are in the Secretary of State’s office. The current SOS, Brian Kemp, is the Republican candidate for Governor. Mr. Kemp is white. His Democratic opponent, Stacey Abrams, is black. As you might imagine, the sensation-driven media is in outrage mode.

“An analysis of the records obtained by The Associated Press reveals racial disparity … the list of voter registrations on hold with Kemp’s office is nearly 70 percent black.” No link is provided for the analysis, which is likely to be true. Assuming that is factual … a dangerous proposition three weeks before an election … the next question should be How do they know.? Is the race of the voter on the voter registration application?

STATE OF GEORGIA APPLICATION FOR VOTER REGISTRATION is your basic government form. On line 4, after telephone number, date of birth, and gender (a two check box male/female), we have race/ethnicity: White, Hispanic/Latino, Black, American Indian, Other (with a blank space), Asian/Pacific Islander. Qualifications include: “Have not been found mentally incompetent by a judge.” Does this requirement apply to candidates?

“Why must I indicate my race or ethnic group? The federal government requires South Carolina to document race or ethnic group for voters by the National Voter Registration Act.” This is the standard answer. The documentation for Georgia can be found at Voter Registration Statistics. If you are a statistics junkie, here is your fix for today.

Georgia has an regulation requiring voter registration to have an “exact match” with information already on file with the Georgia Department of Drivers Services (DDS) or Social Security Administration (SSA). “In 2017, Georgia Governor Nathan Deal signed into law House Bill 268, which codified a voter registration database “exact match” protocol that had been already shown to disproportionately and negatively impact the ability of voting eligible African American, Latino and Asian American applicants to register to vote.” The regulation was not created by Brian Kemp.

Georgia Knew Its Voter Roll Practice Was Discriminatory. It Stuck With It Anyway. The implication of the recent stories is that applications are being targeted by race. Of course, many, if not most, of the clerks reviewing these applications are black. And how would the state know if the voters were black, if it was not on the application?

New FPCA Form Eliminates the Obnoxious Race Question takes a look from another perspective. Federal Post Card Application (FPCA) is designed to help military personnel overseas obtain absentee ballots. With regards to the *race question*, authorities here give the standard answer: “Also, many states ask that you provide your race or ethnic group in order to demonstrate that they are complying with the Voting Rights Act and the National Voter Registration Act.” This sentence has a footnote. “I have reviewed both the Voting Rights Act of 1965, and the National Voter Registration Act of 1993 (“Motor Voter”), “), and I do not find any provision requiring the states to report to the Federal Government on the race of voters.” The article goes on to describe a Texas election. Absentee ballots were disputed because they were cast by non-Hispanic voters.

Pictures today are from The Library of Congress.