Chamblee54

Anita Aretha and Elton

Posted in Holidays, Library of Congress, Music by chamblee54 on March 26, 2019

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In the early nineties, PG had too much free time. On March 25 of one year, he looked in the fishwrapper, and found a list of famous people with birthdays.

There was an unlikely trio celebrating that day. This would be (in order of appearance) Anita Bryant (1940), Aretha Franklin (1942), and Elton John (1947). All three have been paid for singing. The three have a total of five husbands, with Miss Bryant and Mr. John currently attached (Not to each other). Miss Franklin has good taste in hats.

Several other people have arrived on planet earth on March 25. They include , in 1911, Jack Ruby, the killer of Lee Harvey Oswald (d. 1967) (They don’t say alleged when it was on live TV). 1918 produced Howard Cosell, American sports reporter (d. 1995). Flannery O’Connor (d. 1964) arrived in 1925. 1934 gave us Gloria Steinem. To make room for all this talent, Buck Owens died March 25, 2006. On August 16, 2018, Aretha Franklin was heaven bound.

March 25 is after the spring equinox, and has been Easter. A few noteworthy events have gone down on this day. In 1894, Coxey’s Army departed Massillon, Ohio for Washington D.C. In 1911, the Triangle Shirtwaist Factory fire killed 146 garment workers in New York City. In 1939 Cardinal Eugenio Pacelli becomes Pope Pius XII, to the delight of Adolph Hitler. 1955 saw the United States Customs seizes copies of Allen Ginsberg’s poem “Howl” as obscene. In 1969, John Lennon and Yoko Ono began their first Bed-In for Peace at the Amsterdam Hilton Hotel.

HT and applause to wikipedia. This is a repost. Pictures are from The Library of Congress.



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David Bowie A Life

Posted in Book Reports, Library of Congress, Music, Undogegorized by chamblee54 on March 20, 2019


David Bowie: A Life was sitting on the biography shelf at the Chamblee library. It is an “oral biography.” Dylan Jones gets the blame, and the copyright. He took a bunch of interviews, and curated salient passages into a narrative. It is a fun book to read, full of sex, drugs, and rock and roll.

The Amazon one star reviews beg to differ. Guitar Gregg “I thought this would be biography not assorted comments. Very few comments from David Bowie. Who cares what Debora Harry or hundreds of “Joe blows” have to say? No pictures? 500 pages? Too much too little. Buy his cd’s instead.” worst read ever “Belongs in the fire … worst read ever!”

PG enjoyed DBAL. At some point, the lurid tales of depravity got too quotable, and PG started keeping a list. In this book report, we will use this list, until the list, or the reader’s attention span, is exhausted. There may be another installment. Part one was published last week.

“There’s one instance — probably included just so it would be cited — about someone calling Bowie’s room in New York with an offer of a still-warm corpse. “The town had never seen anything like David before,” says onetime groupie Josette Caruso. “And he obviously looked like such a freak that some sick people thought he might be into necrophilia.” (He wasn’t.) (Page 142)

Page 146 “He (Lou Reed) had an auteur complex, and Bowie didn’t fit into that. Lou was also a prime member of the awkward squad. He could lose a charm competition with Van Morrison.” In 1972 David had gone through years of struggle, and was starting to make it. After the Ziggy Stardust tour, he was hot. At this time, David wound up helping two struggling artists, Lou Reed and Iggy Pop

The Elton John/Rolling Stone article was published during one Iggy phase. “May 1975 — It’s four in the morning, Hollywood time, and David Bowie is twitching with energy. … Bowie clutches his heart and beams like a proud father watching his kid in the school play. His whisper is full of wonder. “They just don’t appreciate Iggy.” he is saying. “He’s Lenny fucking Bruce and James Dean. When that adlib flow starts, there’s nobody like him. It’s verbal jazz, man!” … Bowie and Iggy never did make it back into the studio. Pop slept past the booked time, called up drunk several nights later and when Bowie told him to “go away” — meaning “hang up” — Iggy did just that. Now he’s disappeared. “I hope he’s not dead,” says Bowie, “he’s not a good act.” Iggy will show up later in this story.

Page 151 has stories from the Ziggy tour. In Seattle, the entourage went to a gay bar, and someone invited David to a party. When the next day came, and the tour needed to go to the next city, David was nowhere to be found. When he finally called the hotel, all he knew was that he was in a house, with a lot of trees around it. A hotel employee talked to David on the phone, and they managed to figure out where he was.

Page 155 Lori Mattox was a fifteen year old rock fan in 1972. “We got to the Beverly Hilton, and all went up to Bowie’s enormous suite. … We were getting stoned when, all of a sudden, the bedroom door opens and there is Bowie in this beautiful red and orange and yellow kimono … “Lori, darling, can you come with me? … Of course I did. Then he escorted me into the bedroom, gently took off my clothes, and de-virginized me.”

There is a lot of text about David’s sex life. The boy got around, in spite of, or because of, his open marriage with Angela. Apparently, nature was generous with David. While performatively gay during this era, David made plenty of exceptions with ladies. DBAL is an entertaining book.

Page 176 Ava Cherry was a girlfriend who stuck around. “… and yes, we did have some fun together. We were staying at the Sherry-Netherland one night in New York, where David had given a party for Rudolph Nureyev. At the end of the party, everyone was gone apart from me and David and Mick, (Jagger) so it just ended up with the three of us sleeping together.”

Page 263 87 pages later, David has burned out on American rock stardom, and is living on top of an auto parts store in Berlin. This is the phase which produced Low and Heroes, two creative, though non commercial, efforts. Iggy Pop is back in the picture. Longtime assistant Coco Schwab never left. Iggy Pop : “There’s sevent days in a week: two for bingeing, two for recovery, and three more for any other activity.” Coco Schwab “I remember one elevated subway ride where you ride into East Berlin with no checkpoints and then back out with Absinthe into the west. Trust Jim (Iggy) to find that one.”

Page 277 David meets Adrian Bellew, who is in Frank Zappa’s band. David is talking to Adrian about doing a tour with David. At some point, the two go to a restaurant, where they run into Frank Zappa. “…David tried to strike up a conversation with Frank, saying “This is quite a guitar player you have here” And Frank said, “Fuck you, Captain Tom.” David persisted, and said “Oh come on now, Frank, surely we can be gentleman about this?” And Frank said, “Fuck you, Captain Tom.” … so David said, “So you really have nothing to say?” To which Frank said, “Fuck you, Captain Tom.”

Picture are from The Library of Congress. Russell Lee took the photographs in April, 1941. The setting was Chicago, IL. The bar at Palm Tavern, Negro restaurant on 47th Street. Chicago, Illinois Having fun at roller skating party at Savoy Ballroom. Chicago, Illinois

David And Elton

Posted in Book Reports, GSU photo archive, Holidays, Music by chamblee54 on March 13, 2019

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On page 327 of David Bowie: A Life, the Live Aid show goes down. “There wasn’t much love lost between David and Elton–perhaps they’d fallen out at some point in the past…”

Elton John says he fell out with David Bowie over ‘token queen’ remark “David and I were not the best of friends towards the end. We started out being really good friends. We used to hang out together with Marc Bolan, going to gay clubs, but I think we just drifted apart…. He once called me “rock’n’roll’s token queen” in an interview with Rolling Stone, which I thought was a bit snooty. He wasn’t my cup of tea. No; I wasn’t his cup of tea”.

1975 was a different time. David Bowie was moving out of Ziggy Stardust, and became the Thin White Duke. At some point he starting doing lots of cocaine. On page 196 of DB:AL, Jayne County has stories. “It was pretty obvious the David was taking coke. He became very skeletal in his appearance and began rattling off speeches that sounded meaningless to the rest of us–strange things about witchcraft, demons, and sexual prostitution in ancient times … weird things that made everyone nervous. He began to get paranoid and accusing people of ripping him off and stealing his drugs…. He had to have cartilage removed from one part of his body and put in his nose because the coke had eaten his nose cartilage away.”

While David was popular in 1975, and had a certain aesthetic aroma, Elton John was a phenomenon. Everything Elton touched went to Number One. Elton was one of the most popular solo acts the market ever sold. Maybe David was jealous of Elton’s success.

By all accounts, Elton did his share of “hooverizing.” In 1975, Elton was officially in the closet, although a lot of people knew otherwise. In one impossible to confirm story, a friend of PG was working in an Atlanta club called Encore, later known as Backstreet. One busy night, he was in a hurry to get somewhere, and bumped into someone. The person he knocked over was Elton John.

The infamous Rolling Stone interview was part of the damage. “Rock & roll has been really bringing me down lately. It’s in great danger of becoming an immobile, sterile fascist that constantly spews its propaganda on every arm of the media. …. I mean, disco music is great. I used disco to get my first Number One single [“Fame”] but it’s an escapist’s way out. It’s musical soma. Rock & roll too — it will occupy and destroy you that way. It lets in lower elements and shadows that I don’t think are necessary. Rock has always been the devil’s music. You can’t convince me that it isn’t.”

Cameron Crowe How about specifics? Is Mick Jagger evil? David Bowie “Mick himself? Oh Lord no. He’s not unlike Elton John, who represents the token queen — like Liberace used to. No, I don’t think Mick is evil at all. He represents the sort of harmless, bourgeois kind of evil that one can accept with a shrug…. Actually, I wonder … I think I might have been a bloody good Hitler. I’d be an excellent dictator. Very eccentric and quite mad.”

Playboy Magazine gave David another chance to talk about Hitler. “I’d love to enter politics. I will one day. I’d adore to be Prime Minister. And, yes, I believe very strongly in fascism.” “Rock stars are fascists, too. Adolf Hitler was one of the first rock stars.” “#54: PLAYBOY: How so?” BOWIE: “Think about it. Look at some of his films and see how he moved. I think he was quite as good as Jagger. It’s astounding. And, boy, when he hit that stage, he worked an audience. Good God! He was no politician. He was a media artist himself. He used politics and theatrics and created this thing that governed and controlled the show for those 12 years. The world will never see his like.”

#77: PLAYBOY: “Last question. Do you believe and stand by everything you’ve said?” BOWIE: “Everything but the inflammatory remarks.” We don’t know whether a jab at Elton was inflammatory. “I consider myself responsible for a whole new school of pretensions–they know who they are. Don’t you, Elton? Just kidding. No, I’m not.”

Seven daily grams of coke (DB:AL, p.223) did not kill David Bowie. He soon moved on to make The Man Who Fell to Earth. People magazine helped out with the publicity. “No role could have suited David Bowie better in his first major movie than that of an inscrutable interplanetary traveler outfitted with human skin, sex organs, Ronald Reagan hair and humanoid pupils to slip in over his horizontal, mismatched feline slits.” Forty years before Donald Trump made the tangerine toupee cool, Ronald Reagan was prematurely orange. Pictures for this deplorable dive into hissyfit history are from “The Special Collections and Archives, Georgia State University Library”.

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Unfollow

Posted in Library of Congress, Music, Race, Undogegorized by chamblee54 on February 16, 2019


For now, facebook is a part of my routine. It is a handy way to know about events, and keep up with people. Unfortunately, many of those people are generous with their opinions. Sometimes, if you want to keep your sanity, you need to limit exposure to these opinions.

You have several options. The one I prefer is unfollow. You go into the inner workings, and click “unfollow Whatshisname.” You will no longer see this person’s opinions. This is preferred to unfriend. The person you unfriend will know that you have kicked them out of your life.

Some people like to unfriend, and block, to punish people. You say something they don’t like, and they get even with you by unfriending you. This is pathetic.

The problem with unfriending is the permanence. Long after the original slight has been forgotten, the person will see that you have kicked them out. There are people I once respected, who have decided to throw me to the curb. No matter how nice they are to me, I will always know they unfriended me. Life is tough enough without this distraction.

Several of the people I unfollowed continue to be a worthwhile part of my life. The last three words I saw from one such person was “your racist family.” My peace of mind will not allow me to have such poison in my life. A couple of months later, I was a guest in his apartment. Should I let his prejudice get in the way? Or should I unfollow him, and move on?

This meme is a recent reason to unfollow. It is a cartoon, with the title “MANY WHITE AMERICANS FAIL TO ASSIMILATE.” It is a gratuitous commentary on racial values. In the top right panel, a man is driving a truck. The Confederate battle flag is flying. The radio plays “And this bird you cannot change,” helpfully labeled “TRADITIONAL FOLK MUSIC.”

I am not a big Lynyrd Skynyrd fan, but I enjoy “Free Bird.” Given the elastic definition of the slur, some people probably think “Free Bird” is racist. Rock and roll started out as “race music.” White people learned how to rock, and made numerous improvements. It is essential americana … the not always comfortable blending of black and white. If you want to see another example, check out this song. The spell check suggestion for Lynyrd Skynyrd is Lyndon Skyward.

This cartoon will not affect police brutality, or enable economic equity. What it does is make fun of lower class white americans. It is not worthy of the person who posted this meme. While I do not wish to publicly distance myself from this person, I cannot subject myself to this poison. When you make fun of Lynyrd Skynyrd, you make fun of me.

Pictures today are from The Library of Congress. The Alabama pictures were taken in 1941, by Jack Delano. Washington DC pictures were taken in July 1941, by Jack Delano.

Gloomy Sunday

Posted in History, Library of Congress, Music by chamblee54 on February 10, 2019

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Billie Holiday had a hit with Gloomy Sunday in 1941. The legend is that people would listen to the song, and kill themselves. As a result, the song was banned from the radio. Or was it?
Gloomy Sunday was written in 1933 by Rezső Seress. Additional lyrics were later written by László Jávor. It became known as the “Hungarian Suicide Song”, and was reportedly banned in Hungary. An English translation (which is said to not do justice to the original Hungarian) was rendered.

Gloomy Sunday has a melancholy sound, even as an instrumental. The story is about a person…it is not gender specific…who decides to join a loved one who has died. A third verse was added, to the english version, where the singer says it was all a dream.

Gloomy Sunday became popular in the United States. And the suicide stories started to spread, along with rumors that the song had been banned from the radio. (It was indeed banned by the BBC.) There are indications that these rumors were part of a publicity campaign.

The urban legend busters snopes. calls the story “undetermined”. Legends like this get a life of their own. A grieving person hearing this song on a dreary Sunday is not going to be uplifted. One thing is known for sure…the original composer did take his own life. Rezső Seress jumped off a tall building in Budapest in 1968. The legend is he had never had another hit song after writing “Gloomy Sunday”. This repost has pictures from The Library of Congress.

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Billie Holiday Stories

Posted in Book Reports, Library of Congress, Music by chamblee54 on February 3, 2019


How ‘Strange Fruit’ Killed Billie Holiday turned up in a facebook feed yesterday. The article states that Harry Jacob Anslinger “the first commissioner of the U.S. Treasury Department’s Federal Bureau of Narcotics,” ordered Billie Holiday to quit performing “Strange Fruit.” When the chanteuse declined, Mr. Anslinger had her arrested for heroin possession. Later, Mr. Anslinger was allegedly responsible for busting Miss Holiday on her deathbed.

The Hunting of Billie Holiday was the source given for the claim about Mr. Anslinger and “Strange Fruit.” The Politico article does not say that Mr. Anslinger ordered Miss Holiday to quit singing “Strange Fruit.” It does say that Louis McKay, one of the many no-good men in Miss Holiday’s life, narked her out. The bust was in 1947, after she had been performing “Strange Fruit” for several years. (Lady Sings The Blues says that Louis McKay was not in Miss Holiday’s life in 1947.)

Politico had one comment that set off the bs detector. “One day, Harry Anslinger was told that there were also white women, just as famous as Billie, who had drug problems—but he responded to them rather differently. He called Judy Garland, another heroin addict, in to see him.” Frances Gumm was well known for having substance abuse issues. The heroin business was news to a lot of people.

Johann Hari was the author of the politico article. At the time, he was promoting a book, Chasing the Scream, about the war on drugs. Johann Hari has a spotted reputation. “The author used to be the Independent’s star columnist, a prolific polemicist and darling of the left, until his career imploded in disgrace when it emerged in 2011 that many of his articles contained quotes apparently said to him but in fact lifted from his interviewees’ books, or from previous interviews by other journalists.”

The final bust, as Miss Holiday lay dying in the hospital, is part of the legend. A google search does not show what agency was responsible. Harry Anslinger may have been involved, and it may have been someone else. By this time, Elanora Fagan was in bad, bad shape. Years of drinking, and hard drugs, had worn her out. While the hospital bust may have hastened her demise, it is a bit of a stretch to say the Harry Anslinger killed Billie Holiday, because she sang “Strange Fruit.”

This is a repost. Pictures today are from The Library of Congress.


Lady Sings The Blues is the autobiography of Billie Holiday. PG read it in 1978, and pulled it off the shelf recently. The copy he has is was a 1972 paperback, issued in conjunction with the movie. A picture of Diana Ross is on the cover, as well as a price sticker from Woolco. The book sold for $1.25. Pictures today are from The Library of Congress. The spell check suggestion for Woolco is Cool.

William Dufty was the ghost writer. His prose is easy to read, with the story flowing out like a Lester Young solo. The 1956 copyright is assigned to “Eleanora Fagan and William Dufty,” using the birth name of the singer. Mr. Dufty was a newspaper writer. “Dufty had one son, Bevan Dufty, with first wife Maely Bartholomew, who had arrived in New York City during World War II after losing most of her family in the Nazi concentration camps. She settled near Harlem where she met her best friend and Bevan’s godmother, Billie Holiday.”

“Bevan Dufty would agree. He’s one of the childless singer’s two godchildren. … “Holiday said motherf — all the time, in her gravelly elegant way,” recalled Dufty, sitting in his City Hall office. His mother, a Czech Jewish immigrant who loved jazz, was close to many musicians and even managed the unmanageable Charlie Parker for a spell, learned to curse from Holiday. But with a European accent. Much of what Dufty knows of Holiday comes from his late mother, who was married to actor Freddie Bartholomew before her brief marriage to William Dufty, one of her seven husbands. Maely, who took her infant son by train to Philadelphia every day to attend yet another of Holiday’s drug trials, was so distraught by the singer’s death that she dedicated herself to helping recovering addicts. A number of musicians lived at the Duftys’ place while kicking the habit (William and Maely Dufty divorced not long after Holiday’s death, and he later married actress Gloria Swanson, who inspired him to write the book “Sugar Blues” about the dangers of processed sugar).”

Billie Holiday’s bio, ‘Lady Sings the Blues,’ may be full of lies, but it gets at jazz great’s core Autobiographies are, by their nature, self serving. This one has a great opening line… ” “Mom and Pop were just a couple of kids when they got married. He was eighteen, she was sixteen, and I was three.” (“Her parents were never married. When she was born, her mother was 19, her father was 17 and they never lived under the same roof.”) Another source adds: “Some of the material in the book, however, must be taken with a grain of salt. Holiday was in rough shape when she worked with Dufty on the project, and she claimed to have never read the book after it was finished. Around this time, Holiday became involved with Louis McKay. The two were arrested for narcotics in 1956, and they married in Mexico the following year. (March 28, 1957) Like many other men in her life, McKay used Holiday’s name and money to advance himself.”

Louis McKay is at the center of another misunderstanding of facts. The Hunting of Billie Holiday claimed that Mr. McKay narked out Miss Holiday in 1947, and set up her first drug bust. LSTB tells a different story. Here, Miss Holiday meets Mr. McKay very briefly in 1931. Someone was trying to rob Mr. McKay. Miss Holiday said “He’s my old man,” and chased off the robber.

Fast forward twenty five years, and Miss Holiday connects with Mr. McKay. “I hadn’t seen him since I was sixteen and he wasn’t much older and I was singing at the Hotcha in Harlem.” The two were married in 1957. They got busted as LSTB ends. Either Politico is wrong about the 1947 bust, or Miss Holiday did not tell the whole story. Either way, Harry Anslinger is not mentioned in LSTB.

Tallulah Bankhead is another missing piece of the puzzle. Reportedly, Miss Bankhead and Miss Holiday were close friends, and possibly lovers. That was over by the time LSTB was written. “When “Lady Sings the Blues” was being prepared, Miss Bankhead got an advance copy, and was horrified by what she saw. A fierce note was sent to the book’s publisher, and scenes were edited out. Miss Holiday was outraged. The letter that resulted is a poison pen classic. “My maid who was with me at the Strand isn’t dead either. There are plenty of others around who remember how you carried on so you almost got me fired out of the place. And if you want to get shitty, we can make it a big shitty party. We can all get funky together!”

Miss Bankhead does make an appearance in LSTB. On page 117, Miss Holiday is describing playing a maid, in a movie. She was not pleased at the typecasting. “Don’t get me wrong. I’ve got nothing against maids – or whores – whether they’re black or white. My mother was a maid, a good one, one of the greatest. My stepmother is Tallulah Bankhead’s maid right now, and that’s a part I’d even consider when they do her life story.” (Miss Bankhead had her own domestic help problems. In 1951, Evyleen Cronin, Tallulah’s maid and secretary, was accused of stealing $10,000-30,000 from Tallulah during her employment. … The case went to trial (much to Tallulah’s embarrassment) and Cronin was convicted.” Many embarrassing details about Miss Bankhead’s life came to light during this trial. Fanny Holiday, the stepmother, is probably a different person than Evyleen Cronin.)

Whatever it’s factual challenges, Lady Sings the Blues is a powerful book. Miss Holiday had a tough life, to say the least. As the singer for Artie Shaw’s big band, Miss Holiday was an integration pioneer, and every two bit cracker wanted to make trouble. Later, she was addicted to heroin, got busted, served time in prison, only to get out and suffer some more.

Three years after LSTB came out, things went from bad to horrible. “In early 1959 she found out that she had cirrhosis of the liver. The doctor told her to stop drinking, which she did for a short time, but soon returned to heavy drinking. … On May 31, 1959, Holiday was taken to Metropolitan Hospital in New York suffering from liver and heart disease. She was arrested for drug possession as she lay dying, and her hospital room was raided by authorities. Police officers were stationed at the door to her room. Holiday remained under police guard at the hospital until she died from pulmonary edema and heart failure caused by cirrhosis of the liver on July 17, 1959.” This is a repost.

Rahsaan Roland Kirk

Posted in Georgia History, GSU photo archive, Music by chamblee54 on January 19, 2019

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There have been eleven presidential transfers of power in PG’s life. Nine of them were in January. PG typically ignores them. He goes out with Mr. Crook in office, and comes home to President Thief.

The best exception was in August, 1974. Richard Nixon was finally undone and forced to resign. After watching Tricky Dick’s next to last television speech, PG got in his Datsun and drove to the Great Southeast Music Hall. The entertainment that night was Rahsaan Roland Kirk.

The Music Hall was the sort of place we don’t seem to have anymore. The auditorium was a bunch of bench backs on ground level, with pillows everywhere. It was a space in a shopping center, occupied by an office depot in later years. To get there from Brookhaven, you drove on a dirt road, where Sidney Marcus Boulevard is today.

Rahsaan Roland Kirk was not modest. He was the modern miracle of the tenor saxophone. He would play three saxophones at once, getting sounds that you do not get from a single instrument. At one point, the band had been playing for about five minutes, when PG noticed that Kirk had been holding the same note the entire time without stopping to breathe.

Mr. Kirk played two ninety minute sets that night. He talked about twenty minutes out of every set. Of that twenty minutes, maybe thirty seconds would be fit for family broadcasting. Mr. Kirk…who was blind…said he did not want to see us anyway, because we were too ugly. He said that Stevie Wonder wanted to make a lot of money, so he could have an operation and see again.

The next day, Mr. Nixon got in a helicopter and left Washington. The Music Hall stayed open a few more years, and Sidney Marcus Boulevard was paved. Rahsaan Roland Kirk had a stroke in 1975. He struggled to be able to perform again. On December 5, 1977, a second stroke ended his career. He was 41 years old. This feature is an encore presentation. The pictures used today are from “The Special Collections and Archives, Georgia State University Library”.


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A Natural Woman: A Memoir

Posted in Book Reports, History, Library of Congress, Music by chamblee54 on January 17, 2019



A Natural Woman: A Memoir is the autobiography of Carole King. How much she actually wrote is a good question. The 2012 copyright is assigned to “Eugenius LLC.” While Carole is famous as a songwriter, she mainly wrote music. Someone else did the lyrics.

Carol Joan Klein was born February 9, 1942. After a reasonably normal Brooklyn girlhood, she started going to music companies with songs she wrote. Soon, she was writing all the time. Gerry Goffin was writing words, and the songs became hits. By this time, an e had been added to Carole, and King became her professional name.

Gerry and Carol got married, had two girls, moved to New Jersey, and continued to write hit records. The sixties hit Gerry hard, with drugs, mental illness, and other women. The two got divorced. Carol moved to California, became a hippie goddess, released the best selling album of all time, got married again, and had two more children.

If you listen to Tapestry, you probably notice the bass player. This is Charlie Larkey, husband/babydaddy number two. The divorced after a while, for some reason or another. ANWAM is fuzzy about some of the details. You get the sense that there is more to the story.

Famous people books tend to follow a pattern. They are born, and become successful. The story line goes over the bump in the middle, and begins to go downhill. For Carole King, this downhill path starts with her third husband. An abusive jerk, Rick Evers made life miserable for a few years, before dying of too much drugs. The one bright spot in this part of the story is moving to Idaho. But that was a mixed blessing. After finding a dream spot in the wilderness, there was a nasty court battle over keeping a private road private. Once again, ANWAM tells one side of the story well.

Last summer, PG hit the jackpot at a friends-of-the-library book sale. ANWAM is the last book. The first three were Post Office, I Slept With Joey Ramone, and Bastard Out Of Carolina. It is probably back to the library for reading material now. Pictures today are from The Library of Congress.

What Is Dirty About Louie Louie?

Posted in Georgia History, History, Library of Congress, Music by chamblee54 on January 12, 2019

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The sixties were a great time to be a kid. As long as you were too young for a Vietnam Vacation, there were kicks to be had.

One of the more enduring legends was the dirty lyrics to “Louie Louie”. Recorded by an obscure band called the Kingsmen, the song was a massive hit in 1963 (It never was Number One). When WQXI put out lists of the greatest songs of all time, “Louie Louie” was at the top of the list. This is despite, or because of, the raucous sound. The song was recorded in one take, when the band thought they were playing a rehearsal. The vocals are difficult to make sense of, and rumored to be obscene. No one was ever quite sure why. With the garbled sound on the record, the listener could hear almost anything they wanted to.

The Governor of Indiana, Matthew Welsh, banned radio stations from playing the song in that state. On February 7, 1964, Attorney General Robert Kennedy got a letter from an outraged parent about the lyrics to “Louie Louie”. An F.B.I. investigation followed. After thirty months of investigation, the Bureau concluded that they could not make sense of the lyrics.

PG had a neighbor named Carol. A tomboy who could whip most of the boys, she had a pet skunk named Napoleon. Carol claimed to have heard a band at Lenox Square play “Louie Louie”. “He said the words real slow so you could understand them. I can’t repeat what he said, but it was dirty”.

Louie, Louie Oh no, me gotta go.
Yeah, yeah, yeah, yeah, yeah, said, ah
Louie, Louie Oh, baby, me gotta go
A fine little girl she waits for me Me
catch a ship for cross the sea.
Me sail that ship all alone Me never think how I make it home.
Ah, Louie, Louie No, no, no, no, me gotta go.
Oh, no. Said, Louie, Louie Oh, baby, said we gotta go.
Three nights and days I sail the sea Think of girl, oh, constantly.
Ah, on that ship I dream she there
I smell the rose, ah, in her hair.
Ah, Louie, Louie Oh, no, sayin’ we gotta go.
Yeah, yeah, yeah, yeah, yeah,
but, ah, Louie, Louie Oh, baby, said, we gotta go.
[Yelled] Okay, let’s give it to ‘em right now! [instrumental]
Me see Jamaica, ah, moon above.
It won’t be long, me see me love.
Take her in my arms again, I got her; I’ll never leave again.
Ah, Louie, Louie Oh, no, sayin’ me gotta go.
Yeah, yeah, yeah, yeah, yeah
But, ah, Louie, Louie Oh, baby, said, ah, we gotta go.
I said we gotta go now, Let’s get on outta here.
[Yelled] Let’s go.

Transcribed by David Spector Sept. 2000 Public Domain. If anyone reading this can explain what was so dirty about this song, please leave a comment. Thank you Wikipedia for your help in assembling this. This is a repost. Pictures by The Library of Congress

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David Bowie

Posted in GSU photo archive, History, Library of Congress, Music by chamblee54 on January 8, 2019

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It has been a strange week for a David Bowie fan. On Friday, I was looking for a rerun to post, and was reminded that January 8 was his birthday. (Along with Elvis and Shirley Bassey) I put up a piece about Mr. Bowie, and fashioned a poem out of his song titles. Aquarian Drunkard reissued a collection of the “best and most interesting Bowie oddities”. A new album was released, with a lot of comments about how strange it was. Strange is something Bowie fans turn to face.

On Monday, I woke up. Go on the internet. MSN news says that David Bowie has died. This is surprising. I know what people are going to talk about for a few days.

I typically download the new wtf podcast on Monday. The show is “supported” by Columbia records, presenting David Bowie’s new album “Blackstar.” Marc Maron gushes on about how ” DAVID BOWIE I LOVE DAVID BOWIE. ARE YOU KIDDING ME?” The single is called “Lazarus.”

The timing of the whole thing is bizarre. Was this planned? To release a puzzling new work on your sixty ninth birthday, and then die two days later. With the master media manipulator involved, prior planning cannot be ruled out. Or was it just a parting shot of synchronicity? We will never know.

In what might be a new move for celebrity deaths, sex scandal rumors emerged. A lady named Lori Maddox claims that Mr. Bowie “devirginized” her. Miss Maddox was underage at the time. Some people think that this incident makes Mr. Bowie a terrible person, whose artistic output should be ignored. One made the inevitable comment “As someone who sees White stars get a pass for things that celebrities of color get crucified for.”

I learned a long time ago to separate the performer from the performance. I also apply this rule to David Robert Jones. (David Bowie was a stage name. The legal name was never changed.) In 1976, there was an interview, where the artist said “Don’t believe anything you hear me say.” While the creative/marketing genius can be enjoyed, there was always a bit of coldness behind the mask. Some press reports say that this softened as the years went by. In the end David Bowie was human. Ziggy Stardust was a character played by an actor. Does it matter that they were a Cracked Actor?

It is ironic that David Bowie played Andy Warhol in Basquiat. Both combined creation of art, and the marketing of art product, into a seamless unit. The two did not have a good first meeting. “Remember, David Bowie was not a big star. He was just some guy off the street as far as Andy Warhol was concerned. They found a common ground in David’s shoes. David was wearing yellow Mary Janes and Andy had been a shoe illustrator, which David knew so they began talking about shoes.”

This would have been in 1971. Mr. Bowie discusses his adventures in between songs of this show. There is another story from that first tour: “I think that must’ve been part of the Mercury Records publicity tour in early 1971, Gus. Ted Vigodsky, if I remember correctly, brought Bowie by The Great Speckled Bird’s offices on North Avenue where Moe Slotin and I met him. Bowie was dressed in an ill-fitting gingham dress and looked something like a gaunt, poverty-stricken woman in one of those Walker Evans photos from the Depression. He informed Moe and me that he was gonna be the next big star in rock-n-roll. It took all of our will power not to laugh in his face. This was before anyone in America had heard of him and he had no records out yet (“Space Oddity,” a hit in England in 1969, was not released in the USA until 1973). Six months later Moe and I realised we had completely underestimated him. I had forgotten Charlie had called you about interviewing him.” Pictures today are from “The Special Collections and Archives, Georgia State University Library”.

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David Bowie is 72 today. Elvis is ageless, and Sarah Palin is obsolete. This Bowie tribute is a repost. Pictures are from The Library of Congress.

A webpage called CaptainsDead had a download of a David Bowie concert. (It is here on “A Portrait In Flesh” (Full show L.A. Sept. 5th 1974)) Most Bowie live recordings are pretty dull. While the Thin White Duke is renowned for his concerts, they tend to be live events, that depend on staging and costumes as much as music. This show, from 1974, is different. Focusing on material from “Diamond Dogs”, the sound he produces comes close to matching the studio sound.

The next move for Bowie in 1974 was the “white soul” sound of “Young Americans”. He is moving in that direction in this show, even while he lingers in the glitter apocalypse. This tour included a stop at the Fox Theater, the first Atlanta show for Mr.Bowie. On the way to Florida for the next show, the truck with the sets and costumes crashed into a swamp full of rattlesnakes. The show in Tampa was performed in street clothes.

Maybe it is time for a Chamblee54 tribute to David Bowie. It is six am, and PG has stumbled into a job. The time and energy required to write new material is not always available.

The first album by David Bowie that PG heard about was “Hunky Dory”. At the time, Mr. Bowie had generated some buzz by admitting that he fancies blokes, or some uber british expression for being queer. In time, this would be seen as more publicity stunt than brave confession. The RCA debut got some good reviews, but not much else.

The next year produced “Ziggy Stardust”, a concept album. At about this time he did a tour of the United States, with costumes and onstage antics that generated even more publicity. More and more people started listening, some in spite of his outrageous image, and quite a few more because of it. He broke up his band, the spiders from mars, and announced his retirement. The band, according to reports, learned about this while standing on stage behind him. Mr. Bowie, for all his genius, is not always a nice man.

In 1974 there was an album, “Diamond Dogs”, about the decadent urban life in the scifi future. A stage show based on this album…the source of the download mentioned above…marked a return to the concert stage. The next year gave us “Young Americans”, and the year after that “Station to Station”. Every year was a different sound and vision.

Meanwhile, the artist was not doing so good as a human being. According to all reports, he was doing mountains of cocaine. (There is a story of going to meet the parents of Ava Cherry, one of his girlfriends. He shows up at 3am, and does coke on the dining room table.) There was an interview in Playboy (or maybe it was Rolling Stone ) where the first thing he says is, don’t believe anything I say. He went on to say that he admired Adolf Hitler. Have we mentioned the physical appearance of David Bowie in 1975? He looked like he was dead, and nobody bothered to tell him. (By contrast, in recent photo collections of rock stars, Mr. Bowie looks pretty good for a man who is 69 yo.)

This was the era of Rocky Horror show. At one point, Riff Raff sings (Tim O’Brien wrote the show, and gave himself some darn good lines) Frank n furter, it’s all over, your mission is a failure, your lifestyle’s too extreme.I’m your new commander you now are my prisoner we return to transylvania prepare the transit beam While this may not have been directed at David Bowie, he took the hint.

We interrupt this David Bowie tribute with an emergency announcement. A person, reputed to be an entertainer, was seen using the n word on facebook. The screen shots have disappeared, and all we have is the word of the accuser. More details will be available as soon as anyone is interested.

David Bowie saw himself at a dead end, and possibly a dead life. He moved into a little apartment in West Berlin, on top of a garage. Brian Eno offered his assistance, and a series of electronic albums was the result. The next few years saw rock and roll, dance music, and finally, crap. PG bought a Bowie album in 1984, the first time he saw it on sale, and was immensely disappointed. The last David Bowie album that PG got was a free cd that was given to people buying a magazine.

Around 1981, MTV was born, and radio was suddenly obsolete. A visual artiste like David Bowie was a natural for video. Unfortunately, many of these videos are not available for embedding in blogs. Ashes to Ashes was a staple of early MTV. Boys Keep Swinging , off the “Lodger” album, is a return to the gender bender Bowie of younger days.

David Bowie continued to do tours, and PG got to see two of the shows. In 1987, something called the “Glass Spider Tour” came to the Omni. (In a later interview, it turns out Mr. Bowie was extremely unhappy during this tour, and close to suicide at some points.) The Glass Spider was this mass of lighting effects that hovered over the stage, and was used to best advantage during “Scary Monsters”. The show featured Peter Frampton on guitar, and had a pack of dancers. (One apparent female took her drag off during the finale.) A good time was had by all.

In 1990, another retirement tour came to the Omni. This one had movies projected on a screen behind the stage, and featured guitar hero Adrian Bellew. The night had the feel of a contractual obligation. David Bowie is too professional to give a bad show, but this one did not have the fire of “Glass Spider”. PG had a new set of contact lenses, and his eyes were painfully dry most of the night.

This David Bowie Death Day tribute is a triple repost.

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Using only song names from ONE ARTIST, cleverly answer these questions. Tag some others who might enjoy this. You can’t use the band I used. Try not to repeat a song title. It’s a lot harder than you think! Re-post as “my life according to (band name)”Pick your Artist: David Bowie

Are you a male or female: The Bewley Brothers
Describe yourself: Quicksand
How do you feel:Always crashing in the same car

Describe where you currently live: Life on Mars
If you could go anywhere, where would you go: Width of a circle
Your favorite form of transportation: Queen Bitch

Your best friend is: Young Americans
You and your best friends are: Kooks
What’s the weather like: Changes

Favorite time of day: Eight Line Poem
If your life was a TV show, what would it be called: Scary Monsters
What is life to you: Panic in Detroit

Your relationship: Fame
Your fear: Sound and Vision
What is the best advice you have to give:Somebody up there likes me

Thought for the Day: Hang onto yourself
How I would like to die: Ashes to Ashes
My soul’s present condition: Moonage Daydream
My motto: Andy Warhol

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Judy Roasting On An Open Fire

Posted in GSU photo archive, Holidays, Music by chamblee54 on December 23, 2018

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SFFILK (Not his real name) passes along a story about Mel Tormé. It seems like Mr.Tormé was eating a leisurely breakfast at a food court in Los Angeles, and a quartet appeared singing Christmas songs. They wound up performing “The Christmas Song” for co- author Tormé … and the singers had no idea who he was. It is a good story, better told in the link. (The link no longer works.) This is a repost, with pictures from “The Special Collections and Archives, Georgia State University Library”.

According to the inerrant Wikipedia, Mr. Tormé collaborated with Robert Wells, until they had a falling out. One afternoon, on the hottest day of July in 1945, Mr.Tormé went to visit Mr.Wells, and saw the first four lines of “The Christmas Song” (including “Chestnuts roasting on an open fire, Jack Frost nipping at your nose”). The lines were on a note pad, and the two agreed to beat the heat of summer by completing the song. Supposedly, Mr. Tormé did not like the song very much. After three divorces, he probably didn’t see many of the royalties.

Mel Tormé was the music director of the ill fated “Judy Garland Show” in the early sixties. He wrote a book about it… The Other Side of the Rainbow: With Judy Garland on the Dawn Patrol . The story is that Miss Garland would get blasted, call Mr.Tormé in the middle of the night, and pour out her troubles. (This review is much less sympathetic towards Mr. Tormé.) While the show did not last longer, there are some great youtube clips left over.

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Where Is That Place?

Posted in Georgia History, GSU photo archive, Music by chamblee54 on October 28, 2018

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This blog has an email address listed. It is seldom used. The host is a faded internet company that rhymes with booboo. Once proud email has become a spam magnet. The email address there is checked every once in a great while. Yesterday was one of those times. There was a surprise.

Friday, June 5, 2015, 2:52 PM
Do you know exactly where the Agora Ballroom was in the Georgia Terrace Hotel Also I am trying to locate photos of the following locations – Does you any that we can use? Please let me know ASAP – I am on an extremely tight deadline need photos by Monday morning if possible. Exteriors or interiors are great. Please let me know if you have any.

12th Gate Coffee House (located on 10th street in Midtown,) Club 112 (located at Lavista and Cheshire Bridge,) Lenny’s (either or both of their two locations in the Old Fourth Ward,) Great Southeast Music Hall (either or both of their two locations Lindberg Plaza or Cherokee Plaza,) Echo Lounge (located in East Atlanta,) Hedgens (located in Buckhead,) Agora Ballroom (located in Georgia Terrace hotel,) Muelenbrink’s Salon (located at the Underground.) Joeff Davis Photo Editor Creative Loafing

Thursday, July 9, 2015 11:12 PM
Hey I apologize for the tardy answer. I don’t use this email very often
The Agora was at the end of an alley off Peachtree. It was next door to the Ga Terrace Hotel, though not in the Hotel building itself. The ballroom was in a fire in the early eighties, and was torn down. I don’t have any of the pictures that you needed a month ago.

Friday, July 10, 2015, 11:49 AM
Thanks here is the piece we did: That was then, this is now

Friday, July 10, 2015, 1:21 PM
Hey thanks for getting back to me. The article was cool, even without my contribution. This seems like a good excuse for a blog post. I have a some comments about some of the locations listed. For instance, my mother bought groceries at the Cherokee Plaza A&P every thursday for 37 years.. I would like to use your letters, and link to your article, in my post.

Chamblee54 has had posts about four notable Atlanta performance venues: 688 Spring Street, Georgian Terrace Ballroom, The Great Southeast Music Hall, and Richards. Two were on the list of requests. As for the other two, 688 Spring Street, home of Rose’s Cantina and 688, is now a doc-in-a-box facility, Concentra Urgent Care. The site of Richards, across from Grady stadium on Monroe Drive, is now the meat department at Trader Joe’s.

The CL article, That was then, this is now, is fun to look at. There are some good pictures. There are a couple of mistakes in the piece, which this post will try correct.

The Great Southeast Music Hall is the scene of many cherished memories for those of a certain age. The post linked here has more comments than any other Chamblee54 post. There are two google earth images, one for Broadview Plaza, and one for Cherokee Plaza.

In Broadview, (now known as Lindbergh something or another,) the Music Hall was in the corner of an L shaped building. The space is currently a part of the parking deck for Target. According to google earth, the Home Depot takes up almost the entire parking lot of the old shopping center.

In Cherokee Plaza, the space where the Music Hall was is the south part of a Kroger. CL says it was in the parking lot, which simply is not so. This parking lot is too small, which is one reason the Music Hall failed there. In the nineties, the A&P expanded, and took over the space occupied by the theater. In 1998, A&P closed their Atlanta operations. The stores were taken over by Kroger.

The third google earth image is for the intersection of Peachtree Street and Ponce De Leon Avenue. This is the location of the Georgian Terrace Ballroom. This was the setting of Alex Cooley’s Electric Ballroom and The Agora Ballroom. This facility was in a fire, and torn down. An annex to the Georgian Terrace Hotel was built. This annex is roughly where the Ballroom was.

One of the places CL mentions was Backstreet. A picture of Lang Interiors, on Peachtree Street at Sixth Street, is included today.This is the building that became Backstreet. This building was a series of nightclubs in the early seventies. Backstreet opened in late 1974. It was the premier chacha palace in Atlanta for many years. When the property became valuable enough to attract the money of developers, the city discovered enough violations to shut down the party. (1974 was somewhat of a golden age for Atlanta nightlife. The Great Southeast Music Hall, Richards, and Alex Cooley’s Electric Ballroom were all in operation in 1974.)

Club 112 catered to an African American clientele. The space had been many businesses over the years, with a Fred Astaire dance studio next door. Around the time Backstreet was getting started, the space was called the Locker Room. A drag show, featuring the Hollywood Hots, performed there. The Locker Room was a “private club,” and was able to stay open on Sunday night. It was the only place open on Sunday, and was packed. The Locker Room was owned by Robert E. Llewellyn, who was later convicted of having a business rival murdered.

The 12th gate was in the middle of the block, somewhere on tenth street. It was not on the corner of Spring Street. A seedy Jim Wallace gas station was nearby. This place was mostly before PG went out much. There is a hazy memory of seeing the Hampton Grease Band there. After the show, Mr. Hampton walked up to PG, holding a thumb and finger making a circle in front of one eye. Mr. Hampton asked PG what sign he was.

By the time Lenny’s was in business, PG was a retired drunk. He seldom went downtown after dark. Somehow, the party went on without him. Pictures today are from “The Special Collections and Archives, Georgia State University Library”. This is a repost.

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